This is a survey of the arts from the early 19th century to the present time. This class examines profound transformations within modern culture: mechanized industry and transportation, mass urbanization, individual expression, political pluralism, cultural extremism, the avant garde; and their impact upon the traditional arts of painting, sculpture and architecture. Also explored are the new mechanical arts of photography, film, and video. Intended for second semester freshman students.
Current students can access course information here.
This graduate seminar is a survey of the key texts, thinkers, concepts, and theoretical approaches that influence the study of visual culture and the production of criticism. It is an opportunity for students to engage with the ideas that are deployed in these conversations, while gaining the ability to use these resources in their own work. The course is by design interdisciplinary, drawing upon the theoretical advances made in fields as diverse as philosophy, linguistics, art history, psychoanalysis, and literary studies. We also attend to how these discourses are creatively transformed by those working within feminist and/or queer theoretical frameworks. The guiding thesis of this course is that the visual is situated within larger fields of cultural production, which require carefully defined strategies to make explicit their ontological, epistemological, historical, and political assumptions. Download the course syllabus here.